Friday, May 16, 2008

The keg pump is at half mast....

It was Black Thursday yesterday with two icons in the world of Steve passing from this mortal coil.

First off, actor John Phillip Law passed away at the age of 70. Law appeared in at least two of my favorite sixties movies BARBARELLA and DANGER: DIABOLIK! as well as other quirky treats like THE GOLDEN VOYAGE OF SINBAD and Otto Preminger's totally demented SKIDOO. (I'd forgotten he was in that last one, but it's hard to compete for attention in a movie when you're up against Jackie Gleason on acid and Carol Channing dancing around dressed like Captain Crunch.)



Law was a serious actor with chiseled good looks, but his career never quite kicked into high gear. Maybe it was those slightly crazy looking blue eyes. I mean, check this shit out:



Yow! Then again, I think Law's willingness to get a little nutty with it that added to his charm and made his movies so much fun. "I've had more kicks out of playing far-out things," Law told the Los Angeles Times in 1966. "It's like putting on a funny face and going out in front of people and going, 'yaaaaaa.' " Well put, and if he wasn't quite a household name, at least he had VIP status at the Playboy Club and a young Jane Fonda reached into his junk for her laser pistol. That's a pretty good resume in my book.

On the comic book side of things, cartooning legend Will Elder also passed away yesterday at the age of 87.



Elder is probably best known for his collaborations with Harvey Kurtzman, especially in MAD and on the LITTLE ANNIE FANNY strip for Playboy. (Maybe Hef is joining me in this overall mourning.) Elder pretty much defined the MAD style, what with his chameleon like ability to draw in different artist's styles, his flawless caricature and especially his ability to shoehorn an astonishing number of gags into a single panel. Elder oozed funny the way a southern sherrif oozes meat sweats.



Seriously, if you ever want to take yourself down a peg or two as a comic book artist, just look at Elder's work. Aside from the aforementioned MAD and LITTLE ANNIE FANNY there's also his work on TRUMP, HELP! and HUMBUG as well as some great movie posters and original paintings. The only thing Will Elder couldn'tdo as an artist was suck. You'd do yourself a solid by checking out the man's site.

Tuesday, May 13, 2008

Cats n' Dogs n' Webcomics Talk

"...dogs and cats living together... mass hysteria!"

Dr. Peter Venkman
Ghostbusters




If Bengo and Pug's webcomic Scratchin Post is any indication, the good Doctor was completely on the money. If you're not getting enough insanity from your own pets, or if perhaps you want the insanity of pets without all the peeing and pooping involved in owning them, or if maybe you just want a plain old fun time check this baby out.

Also, if you're like me and you're always scratching your head trying to find a good source of talk about webcomics, check out Bengo's blog Floating Lightbulb for the what's up on what's going down.

Yates brings the AWESOME



People who click links on my sites or are just plain hip to what's going down in this world should be aware of fellow Playground Ghost Chris Yates' madtacular webcomic Reprographics, (If not, FOR SHAME.) but I must also make sure you are aware that it is now available as a book type of deal called Set It To Awesome.

This can only be good news for people who enjoy fun and happiness and little one eyed aliens with twisty things on their heads. This is a perfect opportunity to enjoy Chris' adventures in the fresh aired wifi-less outdoors this summer.

P.S. Includes a guest strip by me.

Saturday, April 5, 2008

Meow Yow

A little delayed, but a new strip is up.



Available either here or with other fine strips at Jaded Publishing.

Wednesday, April 2, 2008

Today we sing with Heino, tomorrow we conquer the world*

I first heard about the Teutonic troubador known as Heino from an interview with Jello Biafra in one of the "Incredibly Strange Music" books from Re/Search publications. (These books went a long way towards seriously effing up my musical sensibility.) Heino's considered something of a national treasure by older Germans and ironic hipster Americans. Heino is certainly a visually arresting figure, what with his tall, oddly shaped platinum blonde hair and his omnipresent dark sunglasses. (Heino suffers from Graves-Basedow disease, which makes his eyes buggy and sensitive to light.)



The most noticeable thing about Heino's music is that it is waaaaay fucking German. I mean we are talking Kraut-To-The-Infinite-Power. Even when Heino is singing one of his many songs about Central and Southern America, there is no doubt of his Deutschland-ness. Seriously, this Octoberfest music could make Utah Mormons drink beer. Heino's baritone will not be denied.

I have a certain affection for Heino, having once made him a guest star in an early comic. Below are a couple of tastes of the HEINO EXPERIENCE.

The men in this first video who are "Singing Mit Heino" have got to be the most dead butch em-effers ever...even the guy with the neck kerchief.



DRINK! DRINK! DRINK! VE VILL MAKE YOU DRINK MIT HEINO!



*The menacing quote used as the title for this post is from the David Letterman Show, on which Heino made an appearance.

Tuesday, April 1, 2008

Paperback Babylon

One of our cherished inheritances is a good chunk of the collection of paperbacks my Wife's late Grandmother had built up. I think the original appeal was the cover art. I've become a big fan of the work of the talented and prolific Robert McGinnis who I consider to be the Gustav Klimt of the drugstore racks, and who did the covers of a large number of these books. (Pond Press not too long ago released a nice book collection of covers with a checklist.)

Also, it's just plain nice having the books around as objects, what with their slight whiff of paper decay and the conjuring up of mid 20th century America mass entertainment. (I like to imagine Tommy Newell's character Richard Sherman in The Seven Year Itch working for these publishers.)

Finally...THOSE BLURBS! Heaven's to murgatroid that's some racy-ass man fantasy! I wonder if the publishers ever realized that their product would have devoted followers who were older women living in Northeast Vermont?

Hey, despite not being an older woman, I suppose I should read one some time!

Here's a few covers from one of her fave series Mike Shayne along with the blurbs from the backs. Sorry I can't provide smell too, but I encourage you to huff any old paper you have lying around.



SHE WAS BOLD AND SHAMELESS WITH THE PROMISE OF FIRE AND LUST.

Not that Mike Shayne had any objections-who would when the lady has violet eyes, full lips and hair the color of cornsilk?

Still, with her husband dead of a heart attack only two days before, even tough, torrid Mr. Shayne was shocked when she whispered, "I want you."

Especially with the strong possibility that in this case the death of the lady's late husband had been a matter of murder.



IT ALL ADDED UP

First there was a murdered man-Mike Shayne's client.

Then there was the murder weapon-a filing spindle from Shayne's office.

And then there was the pair of dainty panties left behind-belonging to Shayne's secretary.

All the clues added up and pointed to the killer-Michael Shayne, private eye.





AN 18-KARAT DOLL WITH $200,00 IDEAS

She was beautiful, blonde, and willing, with all the right measurements and all the wrong morals. To a guy just out of stir, she was the kind of dream that had warmed him all those cold nights in an icy cell.

She had provided everything. The food, the drinks, and herself as the entertainment. Now to top it off, she wanted to stake him to a bankroll and cut him in on a job with a $200,00 take.

During his 13 years in the prison, there were only two things he had wanted. The second was the soft warm body of a dish like her-in his arms. But the first was the cold, dead body of Mike Shayne-in the morgue.


Uh-oh!

Friday, March 28, 2008

When you're hot, you're hot...

Good news for people like me who are obsessed with defunct advertising mascots! (Hey! What's with the looks?) A news blurb courtesy of Cartoon Brew says that Renegade Animation has obtained the rights to the Funny Face characters and is working on a pilot for a potential cartoon series.


(This is a color version of a picture I did for the last issue of GRRL zine waaaay back towards the end of the 20th Century featuring Funny Face mugs.)

For those of you who have absolutely no idea what I'm talking about, some history: Back in the sixties Pillsbury (They of the giggling dough dude) were jealous of the bucks General Foods was raking in with Kool Aid. (Fun fact: Originally Kool Aid was a liquid concentrate called "Fruit Smack". No wonder Kurt Cobain used to use the stuff to die his hair...) Figuring to outdo Kool Aid's pitcher-with-a-face-draw-on (Later to be known as "Kool Aid Man") Funny Face drink packets featured a whole menagerie of cartoon characters, such as Goofy Grape, Lefty Lemon, Loudmouth Lime...and more controversially Injun Orange and Chinese Cherry. (These were later changed to the less racially divisive Jolly Ollie Orange and Choo-Choo Cherry.) Additionally, they created a barrage of merchandise featuring the characters, most popularly a set of drink mugs. (You can see a slew of Funny Face premiums and packages here at the wonderful Imaginary World site.) Unfortunately, although fondly remembered, Funny Face never did that well against Kool Aid. It didn't help that in the sixties is was made with cyclamates, and even after they were removed there was the perception among some that the stuff could still kill white rats.

So will the cartoon be any good? I admit I've never seen Renegade's TV shows Hi Hi Puffy Amy Yumi or the Mr Men show, but I do remember when Elmo Aardvark was running strong. That and other shorts of theirs I've seen were highly entertaining, so here's hoping...

In the meantime to whet your appetites (Or thirsts, as the case may be.) here's a couple of vintage Funny Face spots:

The sixties version with the original politically incorrect lineup.



The seventies version with less cancer and less appealing art direction.